See also, " Kubla Khan " Criticism.
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Get Access The Mystery of Xanadu: To fully understand this poem, or at least be able to provide a meaningful interpretation, it is imperative that one reads this poem over and over again.
With repeated reading, the words seems to fall away and all that is the left are emotions. History has recorded numerous attempts to unravel the mysteries of those 54 lines and with this written piece, I wish to do the same.
According to Coleridge and repeated by countless writers, he had taken anodyne a pain — relieving drug one afternoon. Coleridge was reading the following passage of Pilgrimage when he fell asleep: In Xamdu did Cublai Can build a stately Palace, encompassing sixteen miles of plaine ground with a wall, wherein are fertile Meadowes, pleasant Springs, delightfull Streames, and all sorts of beasts of chase and game and in the middest thereof a sumptuous house of pleasure.
When Coleridge was able to return to his writing, only a few scattered verses and dim images remained in his memory. At first pass, the ideas and visuals presented seem to be a reflection of a muddled mind.
Lines like But oh! That deep romantic chasm which slanted Down the green hill athwart a cedarn cover! Natural objects like hills, fountains, rocks, and rivers come alive with tumultuous and contrasting emotions. Kubla Khan is a lyrical depiction of extremes. It is as if we are ushered into a strange land, fearful yet excited of where the next steps will lead.
We travel through the voice of an almost disoriented guide that speaks his emotions without thinking. It would be pointless to try and analyze this poem on merely a logical level. In order to feel the full force of emotions, one must let go and find meaning even in the most seemingly meaningless of phrases.
One moment, lines like And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree: And here were forests ancient as the hills, Enfolding sunny spots of greenery. But even through the incoherence, one actually feels the pull of something powerful.
And although we do not understand where the pull will lead us, we are compelled to follow blindly. Almost abruptly, this peace is shattered by a sense of danger: As holy and enchanted And we suddenly become fearful. Of what, we are not sure.
There is truth, yet no logic, to our emotions. Given that an interpretation, no matter what the object-stimulus is, will always have an element of subjectivity, there is a myriad of meanings one can inject into this enigmatic piece. One could argue that this piece is nothing but the ramblings of a drugged man.
But I will not. To do so would cheapen the experience of reading this centuries-old poem. It seems to me that this poem is an exorcism of some unfulfilled and unfathomable desires, where subconscious taboo yearnings are recycled to become palatable in the conscious world.
Personally, the poem strikes me as a very sensual and sexual piece. Even the poem itself has a natural rhythm that starts at slow, calm pace, gradually rising in a frenzy of sensations until the reader feels its own painful crash.
However, I do not believe that the poem is necessarily about sex or lust. I interpret the poem to mean anything from the excitement of a first love, an initial foray into drug use, the first sexual experience or any other personal event that offer a rich spectrum of highs and lows.
The poem is a masterful work of lyrics and emotions. The author chose words that are very difficult to understand on a logical plain but are perfects fits in that they lyrically convey the emotions that he himself felt; emotions that he wants his readers to feel as well.
I feel like reading the poem is akin to listening to a person recount a magical tale about his journey into a wild unknown; an adventurous journey wherein he encountered both pleasure and pain. The beauty of this poem is that it does not lose its emotion regardless of whatever meaning the reader injects.
It seems that as long as the interpretation mirrors the same emotions of fear, excitement, pleasure and pain, then this poem will speak to everyone. The tone employed in the last stanza rings as somewhat cautionary to my ears. After bringing us to the depths of an emotional cavern and up to the heights of the pleasure dome, Coleridge ends with something like a warning.
His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise. His use of holy dread in the third line automatically makes me cautious.[In the following essay, Milne explores the idea that “Kubla Khan” is a poem about the creative process, focusing on the landscape, the figure of Kubla Khan, and the vision of Xanadu presented.
Summary. The unnamed speaker of the poem tells of how a man named Kubla Khan traveled to the land of Xanadu. In Xanadu, Kubla found a fascinating pleasure-dome that was “a miracle of rare device” because the dome was made of caves of ice and located in a sunny area. The popular legend behind the creation of “Kubla Khan” is that Coleridge was inspired to write the poem after awaking from an opium-induced dream about an Asian emperor.
The poem details the exploits of an explorer named Kubla Khan in the foreign land of Xanadu. In “Kubla Khan,” Coleridge explores the familiar themes of the powers and. Sep 30, · [In the following essay, originally published in , Burke analyzes “Kubla Khan” in the context of Coleridge's other “mystery poems”—including “The Rime of the Ancient Mariner” and.
The Mystery of Xanadu: An Analysis of Kubla Khan by Samuel Coleridge Essay Sample. In Xanadu did Kubla Khan/A Stately pleasure-dome decree/Where Alph the sacred river ran/Through caverns measureless to man/Down to a sunless sea.
A summary of “Kubla Khan” in Samuel Taylor Coleridge's Coleridge’s Poetry. Learn exactly what happened in this chapter, scene, or section of Coleridge’s Poetry and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.